Across North India by Train and Some People I Met

Calcutta bus by Nate Rabe

18 January 1990

What a rush at the airport. A huge group of Raiwindi[1]s was heading to Lahore from Karachi. It was a jumbo.

Wally met me in the drizzle at the airport and took me straight to the border. Heโ€™s pretty bummed out with the developments in the States. Berkeley has fucked him over the BULPIP directorship; hiring someone else and informing him that he was not even in the running for this yearโ€™s directorship.ย  Wally takes these things very hard but I know I would too.

Got across to Amritsar in an Ambassador[2] which stopped every half kilometer or so due to โ€˜blockageโ€™ in the fuel pump. An ansty Aussie shared the front seat with me. He was wiredโ€”shouting at the drunks, pissed off with having to pay Rs. 20 for the taxi and going on and on about missing concerts and plays back in London.  Not the kind of travelling companion I want. We parted at the Railway Station.

I was greeted by 2 friends–rickshaw walasโ€”from my last trip to Amritsar. Made a new oneโ€”a hustler who first told me there was no way Iโ€™d get a berth on the Amritsar-Howrah Mail tonight.  He left and then came back after a brief interval. He suggested if I paid a little โ€˜chai paniโ€™[3] Iโ€™d definitely get one.  So, I paid Rs. 20 for the ticket clerk and Rs. 40 to my new friend for the luxury of a sleeper berth. A good deal. Rs. 220 for a 1879km journey.

I asked my rickshaw friends if he was a โ€˜gentโ€™. Not the English term but a shortening of the word โ€˜agentโ€™, used in these parts to refer to touts and fixers. โ€œYesโ€, they replied, โ€œbut an honest one. Heโ€™ll do what he says he will.โ€ And he did.

I had asked if there were any bombings on the rails[4] these days.

They looked at me disappointingly. โ€œThis is written at the time of our birth. There is no changing it. Bombs or no bombs, when your number is up, itโ€™s up.โ€

One of the rickshaw walas then broke into a parable.

โ€œThere once was a man. A mad camel got to chasing him and to escape the man jumped into a well. The camel sat outside the well and said to himself, โ€˜Heโ€™s got to come out one day and when he does Iโ€™ll bite himโ€™. He settled down to wait.   After a couple of days a poisonous snake slithered by and bit the camel. In an instant the camel was dead.

โ€œThe man in the well finally crawled up to have a look. He saw the camel lying bloated in the sun, rotting away. He triumphantly strode forward and gave the camel a mighty kick. His leg sunk deep into the rotting belly of the camel. The manโ€™s leg got infected and he died.

โ€œSo, you see,โ€ said the rickshaw wala, โ€œeven when we take precautions, Fate tricks us.โ€

With such encouragement I set off for Calcutta.

19 January 1990

A long journey across northern India. Lucknow, Pratapgarh, Benaras, Patna. People flow in and out of the aisles as if choreographed. Itโ€™s stuffy on the top tier but I sleep a lot. Iโ€™m surprised at the spareness of the big stations. Itโ€™s hard to find even a packet of Marie biscuits. The thought crosses my mind that maybe the great lurch into the 21st century that India Today so proudly heralds has been at the expense of the further impoverishment of most Indians.

I share a smoke with a masala magnate from Calcutta. Heโ€™s actually Punjabi but his family moved to Calcutta from Lahore over a century ago. He never goes back to Punjab.

โ€œI like Calcutta because itโ€™s the cheapest and safest place in India. You have no riots, no ghadbad.[5] The loadshedding is tolerable-nothing like in Benaras. The prices of everything is cheapโ€”living, food, transport.โ€

Heโ€™s a real Calcutta booster. At one point to tells me, โ€œYes, the police are corrupt but at least a Bengali will do what heโ€™s bribed to do. You give him some money and your work is done.  Itโ€™s the honesty I like.โ€

He speaks in a soft voice. He begins to tell me about how he used to drink like a โ€˜mad manโ€™.ย  Always drunk. Always looking for a drink.ย  He was, as he puts it, โ€œat the last stageโ€.ย  He then sought the help of a guru, whose name is drowned out by the clacking of the rails as we whoosh by a dark Bihari village. He pulls out an amulet with a hand tinted image of his guru. โ€œWhatever he says, has to happen,โ€ he quietly says. He places the image back under his shirt and against his chest. He begins relating more miraculous acts of his guru to a couple sitting next to him.

I climb up again to the 3rd tier and fall asleep.

20 January 1990

Calcutta is the city of superlatives.  There is no end to the seeming premier-ness of the place. Most dirty city, most crowded. Most posters per pillar, most taxis per person. Most specialised bazaars. I saw one this morning which catered entirely to shoppers interested in balloons and rubber bands. Most cruel means of public transportation (hand-pulled rickshaws).  Most diverse inhabitants, most rundown colonial buildings. Most cultured city: International Film Festivals, Classical music programs, Beatlemania stage show. Most touts. Itโ€™s hard to find anything new to say or any new superlative to add to Calcuttaโ€™s already superlative list of stellar โ€˜mosts and bestsโ€™.

I have found a room in the Paragon Hotel, one of these new tourist hostels which are the same no matter where you go nowadays. The Ringo Guest House just off Connaught Place is no different than the Paragon Hotel just off Chowringhee.

Touristsโ€”Germans, Dutch, Japanese, Australians and a few frightened Americansโ€”writing in small script in their journals, talking to each other about their similar discoveries and eating out at the same restaurants.

I walk up Sudder Street. I remember coming here, to the Red Shield Guest House[6],with my family every other year enroute to a deserted beach in southern Orissa/Odishaโ€”Gopalpur-on-Sea.

Iโ€™m afraid to go Gopalpur these days. Afraid to find sparsely dressed Germans scowling at me as they strut around like they discovered the place.

In those days (late 60s) we seemed to be the only white faces in Calcutta.  Sudder Street was quiet; New Market cool and refreshing; the Globe Theatre ran movies like The Bible. Now it shows Young Doctors in Love and New Market is crawling with sad Muslim touts begging you to buy or sell something. Hotels proliferate. Tourists swarm.

These tourists are backpackers. Young folks from the 1st world bumming around the 3rd.  In Benaras they learn sitar, in Dharmsala they take a course in Buddhist meditation. In Jaisalmer they ride camels into the desert and here in Calcutta they volunteer for a week or so at Mother Teresaโ€™s. They then catch a train to Puri or Gaya.

I admire (in a way) their altruism for washing and feeding the dying. I wish I could do the same. But something rubs me the wrong way. There is a feeling of inevitability to their righteousness. Mother Teresa is another stop along the wayโ€”like the journey of the cross in Jerusalemโ€”full of good material to write home about. Mother Teresa is now another tourist franchise, another neat thing to do.

Calcutta is a pleasure to visit again despite the restless 1st Worlders who hang on like frightened knights of the tourist round table. The locals donโ€™t seem to give a damn about your origins here.



Calcutta by Nate Rabe

22 January 1990

Spent a thrilling few hours wandering among colonial tombstones in the Park Street Cemetery (opened 1760). The image that comes to mind is a ghost ship shipwrecked on an isolated reef, forgotten and dark. Like all cemeteries it has an immediate calming effect. Jumbled and disorderly tombstones and mausoleums crumble in silent gloom among trees and hundreds of potted plants. Some of the paths are under repair but other outlying areas are as untouched as they were a hundred years ago.

Iโ€™m instantly aware this place is an entire city. Stately and expansive.ย  Towering citadels with Corinthian columns, baths and porticos keep watch over a host of long-dead nabobs and Company servants far from home.ย  Each tomb is grander than the next. Spires rise 6, 8, 10 feet above the soil in honor of a young civil surgeon downed by โ€˜feverโ€™ or an indigo planter consumed by the pox.ย  The most ordinary of Indiaโ€™s first British colonizers have erected over their bones and spirits structures few Presidents can boast.

The Raj was young when Park Street opened. The Battle of Plassey was only three years won. Young men with no social standing back home, here had a chance to be rajahs off the plentitude of Bengal. These young men had never dreamed of the fortunes to be made in Bengal; Bengal had no way to stop them. Park Street memorialises the sense of destiny and ostentation of the early Raj. The world was waiting to be plucked from the mohur trees. Fortunes were huge and readily won for those who showed their ruthless ambition. For them this was a larger-than-life world. I suppose a bereaved father felt it perfectly natural to raise a small Roman temple in honour of his nine-month old infant son, dead by flux.  The cemetery, like the period, like the characters buried here is an overstatement. The epitaphs are sentimental and overegged. There was never a disliked, cruel or greedy person buried here.

Of course, not everyone buried here is insignificant. William Jones, the great Orientalist icon who was the first to propose the idea of a shared kinship between Sanskrit, Greek and Latin, lies under a 15-foot obelisk. Charles Dickensโ€™ second son has been lovingly moved here by students from Jadavpur University. Richmond Thackeray, father of William Makepeace Thackeray, a senior servant of the Company, lies here, as does the wife of William Hickey, Indiaโ€™s first prominent English journalist.

Teachers of Hindoostanee at Fort William College, traders and fair maidens, Park Street Cemetery is, more than any other place in India, a memorial to the Raj.ย  Here one can taste the self-aggrandisement, the self-importance and most of all, the self-pity which characterises British India. You only need to close your eyes to hear them speak again. Little do they realise that their ostentatious moments of death are long forgotten and ignored.

23 January 1990

Residential mural in Bhubaneshwar by Nate Rabe

Today I arrived in a cemetery of a different sort. The great ancient temple city of Bhubaneshwar. Anย  initial quickie around the city has left me awed with the grandeur of Indiaโ€”truly the Wonder That Was. Iโ€™m none too impressed however by the greedy mahantas and pundits who follow me with visitor books filled with the names of foreigners who have come before me and donated Rs. 100 or 150. They are like blood suckers who will not detach themselves from you until you fork over some cash.ย  Muttered curses follow me when I hand over a fist of Rs. 2 notes or a tenner. โ€œYou should give at least Rs. 50,โ€ one calls out as I walk away.

24 January 1990

Had a sleepless night. The bed in the Janpath Hotel was infested with bedbugs and the room abuzz with mosquitos. I was so tired and on the verge of the final descent into sleep only to be woken by a damn katmal gnawing at some remote part of my body. The room was distinctly shitty. A weak but persistent stench wafted across the room. No windows, only some cement grating at the top of the wall which allowed easy access for the mosquitos.

I flung my few large pieces of cloth on the floor and turned on the fan. I caught a cold and my neck ached but I must have fallen asleep between 2 and 3.

I blearily wandered off toward the Lingaraja complex which was still as impressive as it was yesterday evening.ย  The priest left me alone to take some photos. I met two young pandas[7] who were only interested in chatting, not in extracting money from me.ย  One was Kuna and the other Bichchi. Kuna kept classifying women into a personal scale of โ€˜sexualโ€™.ย  โ€œWestern lady very sexualโ€, or โ€œJapanese lady most sexualโ€.ย  He was full of obscure English aphorisms.ย  โ€œEvery book has a cover every woman a loverโ€, was his favorite but others addressed less sexual subjects as well.

Bichchi was interested in telling me about politics. One of the Patnaik[8]s was in power. Another Patnaik was trying to squeeze him out now that he (the second Patnaik) had the leverage of the National Front government in Delhi.  Bichchi was confident that his Patnaik (the second one) would be victorious in the end. The main complaint against the ruling Patnaik was thatโ€”as best as I could understand from Bichchiโ€™s broken Hindiโ€”he liked to consort with little boys.  If not that he drank or smoked something that wasnโ€™t good.

Kuna immediately spoke up. โ€œIs there only one tiger in the jungle? They all do these things. Have you ever seen only one tiger in the jungle?โ€

They tried to encourage me to drink some bhang[9]. Being already light-headed from a sleepless night I declined.ย  They extolled the virtues of bhang but cursed heroin, charas [10]and alcohol.ย  All these vices Bichchi attributed to the Pakistanis.ย  He saw a nefarious attempt to destroy his country. Apparently, there are in Bhubaneshwar a growing number of drug addicts.

Kuna again offered his own interpretation. โ€œIt is good. We have 90 crore[11] people here in India. If a few kill themselves with heroin good. It will keep our population down.โ€

I took my leave after an hour under the shade of the Lingaraja, one of 125,000 temples said to be scattered around the city.  This statistic came from Bichchi.  I was tired and wanted to nap but didnโ€™t want to do it in the Janpath Hotel.  Over a beer at the Kenilworth Hotel, I resolved to head immediately to Puri in search of cleaner mattresses and an airy room.

25 January 1990

ย Puri strikes me as an overgrown seaside fishing village. Except for the fact that it is one of Hinduismโ€™s four major dhams[12], there didnโ€™t seem much to commend the place.ย  The beach is here too, of course, but it has none of the isolated charm of Gopalpur or the lushness of Kovalum. The alleys are dark and damp and only Hindus are permitted to enter the ancient Jagganath[13] temple. For a photographer it is also frustrating. The temple is set at an awkward angle which makes it almost impossible to capture well. The square in front of the temple is in glaring light most the day so people huddle in the shadows under the tarped awnings.ย  After walking around searching for some good light, I put my cameras away. From now on Iโ€™ll stick to the alleys where little icons and shrines add color to the landscape.

I talk with Mohammad Yusuf who is selling reptile scales for the cure of piles and general unwanted blood flow. He makes rings of these and advises his customers to wear them on their left hand so as when they perform their toilet, the ringsโ€™ magical effects will โ€œmake you 100% clean. You can spend Rs. 10,000 on a doctor but these rings will cure you completely.โ€

He is an Oriya[14] but like most Muslims in the north speaks quite good Urdu.  When I told him I was living in Pakistan he quietly asked, โ€œWhatโ€™s the news? Is it good?โ€  I find the Muslims Iโ€™ve run into โ€“a lotโ€”to be sad people, though Iโ€™m probably projecting.  In Calcutta all the booksellers and tape hawkers on Free School Street are Muslims from Howrah. One told me with a bit of over enthusiasm that โ€œHindus are the best. I have more Hindu friends than Muslims. We have no problems here!โ€

Another, Salim, is a waiter at the Janpath Hotel in Bhubaneshwar.ย  He was soft spoken and left me with a feeling tender. He claimed to make Rs 200 a month in the hotel of which $150 he remits to his family.ย  He used to work in Calcutta in a factory that makes cooking utensils but for some reason came, as he put it, โ€œinto the hotel line.โ€ He doesnโ€™t like the work but is stuck.ย  He saw two postcards I had bought from a sidewalk dealer on Sudder Street. One was of the Kaaba[15] the other was of Imam Hussain on his horse. Salim kissed them and pressed them against his forehead when I offered them to him.

The Muslims seem to be accepted and other than a slight hesitation before telling me their names, they seem content. They confess to cheering for Pakistanโ€™s cricket team but have been quite uninterested in asking me about life in Pakistan. Only one, a cloth merchant in Bhubaneshwar, asked me if I preferred India or Pakistan.

Tomorrow, I take a day trip to Konarak. Itโ€™s Republic Day and will be overrun with tourists undoubtedly.

26 January 1990

I was accompanied to Konarak by a Gujarati, Dr. Parwar. A pleasant and gentle man who had pulled himself up to a position of considerable rank and authority in a government hospital.  His father was a manual labourer in Pune, โ€œso I have seen life from close up.โ€ Through hard work he got his MBBS and MD from one of the best medical schools in India and has since added a triad of MAโ€™s in subjects like Public Health, Venereal Diseases and Administration.   He has been attending a conference in Calcutta on Public Health Administration and has come to Puri to kill some time.

He is deeply committed to serving the people of India as a doctor back in Ahmedabad.  He has no desire for an overseas job or money. He proclaims more than once how proud he is of being Indian.  This is not something I hear in Pakistan very often.

Konarak is impressive. The stone sculpture is beautiful and majestic. The monument is set out as a sun chariot with 24 giant wheels pulled by 7 rearing horses. Most of the original temple has been destroyed but the remaining bits inspire awe for their size and beauty.  The original temple rose more than twice as high at the remaining remnant which rises 80 feet into the air.

Dr. Parwar and I climb to the top of the temple and gaze into a deep opening. A pedestal is at one edge where we overhear a guide explain, โ€œThis is the place where the image of the Surya (the Sun God) stoodโ€.  Inside his stone head and feet, apparently, was magnet which when a certain interaction of physics and metaphysics transpired โ€œcaused the Godโ€™s head and feet to move.โ€

The Indian government is preserving the temple. Dozens of lungi[16] clad workers scratch the eroded stone with water-soaked bamboo brushes. Here and there new plinths and slabs of granite have been fitted into the chariot spokes and walls.  Up near the top they have placed two huge Buddha-like images, upon which, during the Eastern Ganga dynasty[17] which built the temple, the sun was said to have shone continuously. One at dawn, one at noon and one at dusk. The third image is yet to be restored.

Dr Parwar and I silently take in this magnificent piece of human-divine cooperation before boarding a bus back to Puri.


[1] Raiwind, a town near Lahore, famous as the headquarters of a major Islamic missionary organisation, Tablighi Jamaโ€™at

[2] Hindustan Ambassador. Iconic Indian manufactured sedan which for decades was about the only car available in most parts of India.

[3] Literally, ‘tea water’. Colloquially used to indicate a small gift/bribe.ย 

[4] A Sikh movement for Khalistan as a separate country was raging in the 80s and early 90s. Often trains passing through Punjab were bombed as part of the terroristic tactics of militant Sikh groups. By 1990 things had calmed down quite a bit but my question was not entirely unjustified.

[5] Hindi/Urdu word meaning โ€˜chaosโ€™; โ€˜confusionโ€™; โ€˜disorganisationโ€™. Colloquially, โ€˜hassleโ€™.

[6] Part of the Salvation Armyโ€™s global charity empire. Cheaper rates for Christian missionaries right in the heart of Calcutta!

[7] Hindi word for priest or guide to a temple. Not the Chinese animal.

[8] A prominent political dynasty in the state of Orissa/Odisha.

[9] Traditional Indian cannabis drink.

[10] Hashish

[11] Hindi/Urdu for the numerical value of 10,000,000

[12] The four dham are the major Hindu pilgrimage destinations located at each cardinal point of the compass. Dwaraka (West), Puri (East), Badrinath (North) and Rameshwaram (South)

[13] From which we get the English word, juggernaut.

[14] A native of Orissa/Odisha

[15] The stone building at the center of Islam’s most important mosque and holiest site, the Masjid al-Haram in Mecca, Saudi Arabia

[16] sarong

[17] 11-15th century CE

Faces and Sonder

One of the most telling ‘words’ in the English language is sonder. Defined in the Dictionary of Obscure Sorrows, sonder is, “the realisation that each random passerby is living a life as vivid and complex as your own”. It highlights the profound and often overlooked fact that everyone around us is experiencing a unique and intricate existence, similar to our own.

I don’t take many portraits these days. But over the years I’ve captured a few faces that I cause me to enter a state of sonder.

Double click on each image for a full screen experience.

Little Krishnas

Young boys dressed up as young Krishna on the occasion of Sri Krishna Jayanti, 2009. Near Trisshur, Kerala.

I didnโ€™t really learn about India until I left to attend University in Minnesota. ย I had lived there virtually all my life up to that point and had a slightly above average knowledge of Hindi but it was pretty rough. I understood India as the place where I felt most at home in the world. A place I identified as โ€˜homeโ€™. But I had only the sketchiest understanding of Indian history; the sitar and Hindi movies summed up Indian culture.

My world was largely European/American/white/Christian. Though I grew up speaking an Indian language as early as or even before English, though I had many Indian playmates and in school, close mates, and though my family in no way tried to isolate ourselves from Indians or Indian culture and society, by dint of another culture and tradition I knew precious little about, that of evangelical missionaries in India, Indian culture remained a vague notion with very few points of clarity and authentic appreciation. 

This came home to me in my early semesters in University. I got into mid-level Hindi class only to discover how limited my vocabulary was and how ungrammatical was my speech. I really didnโ€™t know how to write a coherent paragraph.  The name Mohammad Rafi had never registered with  me. Whilst reading a passage from a newspaper aloud in class (my pronunciation/accent was always very good) I stumbled at the reference to โ€˜Rafiโ€™. As there are no capital letters in written Hindi I didnโ€™t realise it was a name; the sentence didnโ€™t make any sense.  Ultimately, the professor, who himself had never been to India, had to tell me that Rafi was a proper name and referred to Indiaโ€™s most famous male singer, Mohammad Rafi.  

I think my choice of South Asian Studies as my undergrad major and then my Masters in Modern South Asian history, were attempts to make up for this huge ignorance about the place I said I loved and that I called home. 

After formal education my years in Pakistan enlightened me about the impacts of Modern Indian history and how tangled and fascinating is the relationship between Pakistan and India.  

In 2010 I began blogging about music. All kinds. But I understood that I could create a bit of niche and a following by focusing on South Asian music, another subject about which I was almost completely ignorant. And so, my learning and education about India (in the broadest sense of that term) continued.  My current research on the history of the Pakistani movie industry a.k.a. Lollywood, is the same. It seems I have an unsatiable desire to learn ever more about the subcontinent.

There was no subject more unknown to and less understood by me then the world of Hindu philosophy and religion. Naturally, missionary children were not encouraged to learn too much about it for obvious reasons. To fight this โ€˜dark forceโ€™ was what had brought my parents to India in the first place. But also, I had enough of spiritual instruction and religious activity in my daily life already. Daily prayers and Bible readings, devotions, camps, Bible clubs, spiritual conventions and tent meetings, church services and baptisms.  The idea of trying to figure out a second religion was the last thing on my mind.  Creedence and the Beatles, Dev Anand and Zeenat Aman were far more exciting fields to plough. 

I still know so little about it, though I do love reading the many stories behind the many aspects of God that Hindus and Indians have concocted and pay homage to. 

I was in Kerala on business.  One evening I hired a taxi to visit a friend who lived near Trisshur. I wasnโ€™t going to take my cameras but after the quiet voice reminded me, โ€œTake your camera with you everywhere you go,โ€ I headed out. 

About half way there we turned a corner to find the road blocked by these young fellas. 

A couple villages were celebrating Krishna Janamasthami the annual festival of Krishnaโ€™s birth. Families celebrate by swinging their youngest son around in circles and then painting young boys in blue, placing cardboard crowns on their heads and wandering around the village singing, laughing and pretending to play the flute, Lord Krishnaโ€™s instrument of love.  Later, entire busloads of villagers will visit the Guruvayur Shri Krishna Temple in Thrisshur for more ritualistic and formal acts of worship. Like many places, the temple claims to trace its history back 5000 years (doubtful) and is one of southern Indiaโ€™s largest places of Krishna worship, something usually associated with north India. 

Krishna in his infancy and boyhood is known as Balakrishna, (literally, child Krishna). A stage on his life remembered for his mischievousness and antics. He is depicted in books, magazines, murals, calendars and stickers with chubby cheeks, rolls of fat on his little belly and often with his hands full of butter which he has stolen from his mother.

The following bhajan tells that story.

Balakrishna postcard

 

A way into India

Iโ€™ve been trying to write about India all my life.  

And failing. 

 Over the weekend I began to organise my old drafts and re-drafts of things Iโ€™ve written since 1980.  It appears that I’m a frustrated memoirist. Certainly, a bit of a narcissist too.  There were several drafts of a piece I wrote about Varanasi which I think I ultimately did (unsuccessfully) submit for publication. I remember struggling with that, trying to understand what I actually wanted to say about the city. What to include, what to leave out. Most versions were a mix of the travel section of your weekend paper, heart-felt expressions of my love for the city and passages which sounded as if they had been written by an AI bot decades before the stuff was even thought of.   All in all, it is awful. 

Of course, Varanasi is the kind of place that even the most sensitive or knowledgeable of writers struggle to write about.  It is one of those subjects that exists in history, in imagination, in the spiritual realm, on the map, in art and in philosophy. It is as big a subject as any in this world. So, I take my failure to capture it as inevitable. 

There were lots of other much shorter pieces too. One, on an obscure south Indian puja. Several recollected conversations with people along the way. A bunch of false starts and dead ends on my two hometowns of Mussoorie and Allahabad.  

What tied them all together was my inability to find the right voice to express what I wanted to say about India. Sure, I was learning a craft and had little command over my thoughts, let alone the words to describe those ideas. But there were other things in the way. Inarticulate passion & emotion which derailed things almost immediately. But more than anything the subject itselfโ€”India–seemed to block my path. 

India is a country and a state of mind that people tend to love or hate. Even if you havenโ€™t been, youโ€™ve probably got an opinion about it.  It is the ultimate in exotic. It is the place where โ€˜everyone everyday is steeped in spirituality,โ€™ and where everyone wears โ€˜colouful, garish, brightly hued clothingโ€™ where the bazars are jammed with โ€˜teeming humanity and mountains of red, yellow and black spices that amaze the casual visitorโ€™. Where the โ€˜extremes of human experienceโ€™ reveal themselves against a background of โ€˜fabled monuments and ancient temples built by long dead dynastiesโ€™.   

Heat and dust. 

Itโ€™s creative writing 101 crossed with National Geographic.    

India โ€˜overwhelms the sensesโ€™, โ€˜drowns one in โ€˜sensory overloadโ€™. India is romantic. An enigma. A land of gurus and maharajas and the worldโ€™s best cricket players.  It is pastiche and projection.  

It is cliche. 

Speaking of National Geographic, that fine publicationโ€™s contribution to this way of looking at the world is immense.  As a budding photographer my favorite subject was India (and within India it was Varanasi). For years the National Geographic approach to visualising India, epitomized by Steve McCurry, was what I emulated. I wanted to capture the best close-up portraits of Indian faces.  I wanted to capture the Himalayas, grand and snowcapped and the temples silhouetted at dusk. I did get lucky from time to time but never came within a mile of McCurry or Raghubir Singh who seemed to have such a knack for uncovering those shots. 

Raghubir Singh himself grew so fed up with this approach that he devoted an entire book to looking at his country with a new eye. Itโ€™s called A Way Into India. I highly recommend you go to the library or your bookstore and check it out.  In essence he used the iconic Indian car, the Hindustan Ambassador, as a lens to see his country with fresh eyes.  And in the process, all those noble portraits, disappeared. What he revealed were glimpses of things every other photographer dismissed as irrelevant or ugly. Details or scenes that are often hard to decipher. It gave his photography new life and has cemented his place in the pantheon of great modern photographers. 

All this is to say Iโ€™m still struggling with how to write about and visualise India. It bugs he hell out of me and frustrates me. I should be able to do this, I say to myself. Why canโ€™t I get beyond the โ€˜garish sarisโ€™ and โ€˜wizened old sadhusโ€™?   The closest Iโ€™ve come is by letting Indians I meet along the way, speak to me in their own words.  In this blog youโ€™ll find several such conversations. I try not to embellish them or add my judgements to them.  Just let them speak about their Indian experience.   

But that is still not what Iโ€™m searching for.  I want to tell my story. Iโ€™m searching for a way into India that is true to both my experience and to the subject, Mother India.

A note on the image at the top of this post. An advertisement (could have been from a calendar or a biscuit tin) for the Sassoon commercial house. The Sassoons were Baghdadi Jews who landed in India in 1830 and went on to become a leading pillar of that city’s economic and cultural heritage. The image is a cultural melange of scripts and symbols, recognisable to Indians and foreigners. The scripts mostly transcribe the family name. Sir Jacob Sassoon was the third or fourth generation to run the business. As the image depicts, he expanded operations to Karachi (now Pakistan) and Shanghai. The family, like so many of Bombay’s elite families was involved in the opium, tea, silver racket that financed the rise of the English empire. More on that in the future.

The Silent One

After a breakfast of cold TBJ (toast butter jam) at one of the several โ€˜hippie cafesโ€™ that line the narrow tarmac road running along Puriโ€™s beachfront, I walked down to the station to buy a newspaper.ย  When I arrived, I was informed that as today is the day after Republic Day there are no papers.ย 

On my way back to the cafรฉ I stopped to observe a sadhu who was holding court outside a colourfully decorated, low-ceilinged temple not far from the entrance to the station.ย 

He was toking up when I arrived. The chilam was offered to me but I declined. A group of rickshaw walas and assorted young men squatted in a semi circle near him. Each drew deep on the pipe as it made the rounds.ย 

I asked them if they werenโ€™t afraid that the police would round them up. 

This has been purchased under a government license. No problem. 

A man with rotting teeth told me that smoking hash was essential to the peopleโ€™s daily existence.ย  Some people eatย  paan, others smoke ganja, some like bhang, others charas. Its all for digestion of the food.ย  It is necessary.ย 

I reply that I get paranoid when I smoke it.ย ย 

They all laugh. Their tired red eyes remain motionless while their faces move in different ways.   Like all addicts, they agree that moderation is the attitude to be employed. But they exclude themselves from their own advice with a shrug of the shoulders. 

I am told the sadhu has not spoken for 12 years.ย ย ย 

He has four more to go before his vow is complete. 

I wonder if he will still remember how to form words after 16 years of silence. 

He communicates through gestures and a penetrating gaze but cracks an engaging smile once in a while. His sidekick, also a sanyasi, seems to have sworn the opposite vow: to talk as much as he can in as short a space as possible.ย 

He interprets the silent oneโ€™s flailing arms and pointing fingers.  He details their recent past and spells out their future intentions. (They are headed to Nepal, next). The sidekick tells of fabulous bright silver coins and good charas in Kashmir.  

We sleep wherever we find a spot. A sanyasi has no home.  

Do you travel by foot, I ask. 

He laughs.ย  No. No. No. We are sanyasis. We go by train.ย  Whoever has heard of a sadhu paying for his travel?ย 

As I leave, the silent one pinches some ashes from his smoldering fire and signals that I should smear some on my forehead, which I do.  

Sidekick then rattles, Now swallow the rest. 

I hesitate but do he says.  I walk away with a gritty taste in my mouth. 

This piece was written in January 1989 while on a holiday in eastern India. The image is called ‘Mussoorie baba’ It is NOT a portrait of the Silent One of Puri, but of a wanderer I met in the hill station , Mussoorie, where I did my pre-university education in a storied boarding school. Such men could be classified as sadhus or sanyasis but are more endearingly referred to as baba. The former terms have a spiritual connotation; that one’s wandering is part of one’s spiritual practice. Baba on the other hand is a more generic term for men who amble around the countryside with no precise motive or destination. It is also sometimes used to refer to young boys. I was referred to as Nate baba, while growing up, by many older Indians.

The photo was one of the first of mine to be published by a company in the Twin Cities that published brochures for churches!

The Night Bus to Tarbela

This photo was taken at the massive Pirwadahi bus station in Rawalpindi. It is from Pirwadahi that long haul buses commence and it is at Pirwadahi that they end their journeys. At least up it was until the early 1990s, when my time in Pakistan came to an end.

I took this photo at my favorite time of day, an hour or so before sunset. It was winter, probably January or February 1989/90 giving the light a warm golden hue. The bus’s windscreen and body had just been washed so the usual dust and streaks of wipers are not a hinderance.

Pakistani bus decorating is one of the country’s great folk arts. What often looks like garish sticker-mania in fact often can be decoded. In this instance starting from the lower left: a religious poster depicting Hazrat Hussain, the Prophet Mohammad’s (PBUH) grandson and spiritual icon to Shi’a Muslims all over the world. The large script at the top of the windscreen is a Q’ranic or other spiritual saying and at the very top you can the words 1988 Model. Signifying the year not of the manufacture of the bus but of the decorations. Multiple stickers of vases and flowers reference one of the most popular design motifs from the Persian world. Scholars find many pre-Islamic references and continuities in such images. In this case, I would imagine the bus’s owner (a Shi’a) has used the stickers merely as pretty decoration, just like the image of the two kittens in the far right lower corner. The open palm stickers, like in many ancient cultures, represent an attitude of blessing and protection as well as invitation. Signaling to the passengers, “Come in, god Bless and protect you on your journey.” As these iron behemoths are not insured, its about as much assurance as you can expect. The calligraphy that balances the Hussain poster notes the destination of the bus, Tarbela Dam, one of Pakistan’s major pieces of infrastructure completed between 1968 and 1976. The piรจce de rรฉยทsisยทtance is the pair of drapes which can be pulled close when the sun is too bright!

The following piece appeared first on my original blog Washerman’s Dog (17 May 2012). It included a mixtape of music you would be likely to hear on such a trip. The road system in Pakistan has improved immensely since I lived there (’86-’91.) And the music is a bit dated to that era. If you would like to download that mixtape check out the Downloads page.

When I first landed up in Pakistan I was surprised to discover that the way you got around between major cities was not by train, as in India, but by road. Unless your destination was Karachi or Quetta, in which case you flew.  And for your road trips you had several choices of transport: bus, Flying Coach or wagon.

Bus

Bus: usually a Bedford, gloriously liveried in multiple colours, decorated with beaten tin, twinkling lights, curtains, festooned with flowers (plastic, real and painted) and covered with pithy aphorisms like โ€˜Maa ki dua/Jannat ki hawaโ€™ (A motherโ€™s prayer is a breeze from heaven). Clientele: general public; those who have more time and less money.

Flying Coach

Flying Coach: a no-nonsense and business-like large Mazda or Toyota mini-bus with hydraulic doors that sigh when they open, excellent air conditioning and in most instances reclining seats. Clientele: businessmen, foreign students; those who want to get โ€˜thereโ€™ quick.

Wagon

Wagon: a Ford van imported from England by Kashmiris. Painted only one colour. Body dented. A few perfunctory invocations of Allahโ€™s blessing on the front.  Seats hard. No aircon. Clientele: the slightly better off member of the general public; those with high-risk appetites.

One of the several issues confronting those who choose to travel long distance by road in Pakistan is that the vehicles (with the exception of the Bedford buses) are imported. They can move quite quickly and powerfully, designed as they are for motorways in Japan or UK.  The Pakistani highways, alas, are narrow, rutted, poorly lit and crowded. The combination, especially when blended with a driver who is exhausted, just learning his trade or stoned on charas (all three at once, is a permutation Iโ€™ve encountered) can give rise to anxiety. 

I shall never forget the dear driver (with me in front seat right beside him) who, as we sped into the fast-setting sun that nearly blinded us, decided to change the cassette and light a cigarette at the same time.  He did it! And we made it to Gilgit in one piece 12 hours later!

For some reason whenever I found myself on the road it was evening heading into night. Though the hazards increased significantly once the sun went down, I found barreling through the night in some strange way, relaxing and appealing.  Probably because there was inevitably a good concert of music to be had. After the first 45 minutes of the journey, most passengers were nodding off or whispering quietly to their companions. The driver would light another cigarette and turn up the cassette and entertain us with a selection of current and evergreen hits.

Inevitably, the concert would include the patron saint of all vehicle drivers, Attaullah Khan Niazi. Indian film music, qawwali and few sharabi ghazals, some folk and other odds and ends like a piece or two from the driverโ€™s home region, often the Northern Areas around Gilgit.

I loved those trips because I was introduced, anonymously, to so much good music.