Closing and Opening

Twelve months ago I separated myself from my family. In that time I have had my 35 year career as an international aid worker come to an emphatic close. I have been and continue bed-surfing and residence hopping as one does when you leaves a marriage suddenly. My 18 year old daughter does not talk to me. Thankfully, my 22 year old son, does (though he did keep to himself for several months). I have found that the age pension with a bit of taxi hacking meets my daily needs quite adequately. I have returned to driving cab for a second time, after spending a year between MA and potential PhD, driving the icy roads of Minneapolis for Blue & White taxis. I have had my license suspended for running too many red-lights and am on enforced leave until July 8. That is fine by me, because in early March, while still tending a broken heart over so much loss and change, I nearly killed myself, two lovely young women passengers and the driver of the car that smashed into my taxi as I did a careless U-turn.

The most significant change I have made over this time, is to embrace the fateful decision to no longer be (just) a weekend blogger, novelist and retro-fitted writer. Rather I am placing that long-echoing call at the centre of my retired life. Beginning a new adventure is what some people call this. I’ve heard it called Fool’s Errand, too.

And in a little less than three weeks I will be heading back to India, the land of my birth and first 18 years on a sort of ritual pilgrimage. I am going so I can feel the wind blow through the ‘cobwebs of my mind’, feel the heat burn the detritus of the professional salary man, and let the sounds, smells and sights of that fabled land wash over me wave upon wave.

Why do I tell you these things?

Though I’ve not met you in the analog sense, some of you have been fellow travelers and kindred spirits. And you have always wished me well. I have not been entirely dedicated to my blogging in the period under review and it is always good to explain oneself. Given where I’ve paused to catch my breath at this point in time and space I am inclined to direct my creative energies towards a memoir. As a way to make sense of some of old, chipped and stained pillars that have held up my world for as long as I can recall: India & my missionary-kid childhood.

I am daunted, excited, confused, compelled and called by, about and to this. I’ve not been to India since 2012 and not been to the places on my itinerary for between 62 and 19 years. So I’m looking forward to whatever awaits.

I may post a bit along the way but look forward to having your good wishes as I depart. As a small gift here is a mixtape of World Fusion which just so happens to be heavily colonised by South Asian sounds.

WF2

5 Best American Pop Songs as understood by a teenager in a hill station in North India in 1970

In the 1960s and ’70s, India wasn’t a place to buy the latest Western pop music. In the few shops that sold LPs, you might find some Mantovani, the odd Herb Alpert and the TJB, quite a bit of Ventures and always, India’s very own Englebert Humperdink. 
 
The Beatles was rare, as was Deep Purple and The Doors. But amazingly, Simon and Garfunkel’s Bridge Over Troubled Waters was readily available and quite popular. Indeed, so precious was Western vinyl in those ancient days that I once made a handy sum selling some old Elvis and Beatles LPs to the management of Allahabad’s coolest dining venue, El Chico. I knew nothing about the music and cared even less. I was a 13 year old cashing in. But the two middle-aged men didn’t even bargain when I offered them the records. They handed over the 25 or 30 rupees I thought they might be worth. An early example of what is now called a “win-win” situation. 
 
But somehow, some way, we young people, did develop an ear for rock ‘n roll, or what we thought qualified as such. I, much later, learned that there were indeed ultra-hip clubs in Delhi, Calcutta and Bombay where not just rock ‘n roll was bashed out by Indian bands, but also some very cool jazz, I was too young at the time to get to such clubs. 
 
Instead, my early learning began during the intervals at Rialto or Picture Palace cinemas in Mussoorie. As the lights came up and the hawkers entered the hall like storm troopers, a scratchy recording of Cliff Richards or the Beatles would fill the room. It would blast  over and over, for the next 20 minutes, while ticket holders relieved themselves, sipped a Fanta or puckered their faces to the taste of mango papad dipped in chili salt. 
 
In eateries like The Tavern (on the Mall) and Kwalitys you could also hear the odd rock song. How our teenage hearts thrilled! It made us American kids feel like we were somehow connecting with the “homeland” even though we had only the vaguest idea of what the States, Australia or England were really like. 
 
Here are five of the most famous Western rock ‘n roll songs that nurtured and inspired an entire generation of Indian (and American expat) boys and girls. 

For what seemed years, this was the song that blasted out of the Rialto cinema in Mussoorie during intermission. We went every Saturday to see a show and soon knew this song by heart. Sir Cliff, of course, like Mr Humperdink, was another native son and thus had pride of place in any rock and roll rotation.

An absolute icon of a song. This suave Santana anthem penetrated the consciousness of India’s urban, West-looking youth, like nothing else. It was almost guaranteed to be heard in every darkened restaurant, bar and coffee shop from Srinagar to Srirangapatnam. 

Someone eventually had a quiet word with the projectionist at the Rialto.  Congratulations was ditched for The Ballad of John and Yoko.  This was then played for the next three years straight. We loved it! “Christ! You know it ain’t easy.” Boy! Lennon was singing for us! 

Like Black Magic Woman, CCR’s first big hit Born on the Bayou touched something in the Indian spirit. It’s heavy, bluesy riff seemed to connect with nothing that Bollywood was producing. Perhaps that is why it caught on.  So influential was this song that an Indian garage band called the X’lents made a cover of it. 

The Ventures were pretty well known in India in the ’60s and ’70s. If you couldn’t identify their name you knew the sound. Their album covers were bright and as the ’70s broke, covered with very beautiful babes in interesting poses. This crisp little number was as big a hit in Hyderabad as it was in Honolulu. 
 
Peace, man! 

This War in Iran has me thinking

of a quote I had posted to my wall when I was a working man.

The code of tribal wisdom says that when you discover you are riding a dead horse, the best strategy is to dismount. But NGOs often try strategies with dead horses including the following:

o Buying a stronger whip

o Changing riders

o Charging a lower price for the ride

o Saying things like, “This is the way we’ve always ridden this horse.”

o Appointing a committee to study the horse

o Declaring the horse is faster, better, cheaper dead

o Harnessing several dead horses together for better speed.