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What a rush at the airport. A huge group of Raiwindi[1]s was heading to Lahore from Karachi. It was a jumbo.
Wally met me in the drizzle at the airport and took me straight to the border. Heโs pretty bummed out with the developments in the States. Berkeley has fucked him over the BULPIP directorship; hiring someone else and informing him that he was not even in the running for this yearโs directorship.ย Wally takes these things very hard but I know I would too.
Got across to Amritsar in an Ambassador[2] which stopped every half kilometer or so due to โblockageโ in the fuel pump. An ansty Aussie shared the front seat with me. He was wiredโshouting at the drunks, pissed off with having to pay Rs. 20 for the taxi and going on and on about missing concerts and plays back in London. Not the kind of travelling companion I want. We parted at the Railway Station.
I was greeted by 2 friends–rickshaw walasโfrom my last trip to Amritsar. Made a new oneโa hustler who first told me there was no way Iโd get a berth on the Amritsar-Howrah Mail tonight. He left and then came back after a brief interval. He suggested if I paid a little โchai paniโ[3] Iโd definitely get one. So, I paid Rs. 20 for the ticket clerk and Rs. 40 to my new friend for the luxury of a sleeper berth. A good deal. Rs. 220 for a 1879km journey.
I asked my rickshaw friends if he was a โgentโ. Not the English term but a shortening of the word โagentโ, used in these parts to refer to touts and fixers. โYesโ, they replied, โbut an honest one. Heโll do what he says he will.โ And he did.
I had asked if there were any bombings on the rails[4] these days.
They looked at me disappointingly. โThis is written at the time of our birth. There is no changing it. Bombs or no bombs, when your number is up, itโs up.โ
One of the rickshaw walas then broke into a parable.
โThere once was a man. A mad camel got to chasing him and to escape the man jumped into a well. The camel sat outside the well and said to himself, โHeโs got to come out one day and when he does Iโll bite himโ. He settled down to wait. After a couple of days a poisonous snake slithered by and bit the camel. In an instant the camel was dead.
โThe man in the well finally crawled up to have a look. He saw the camel lying bloated in the sun, rotting away. He triumphantly strode forward and gave the camel a mighty kick. His leg sunk deep into the rotting belly of the camel. The manโs leg got infected and he died.
โSo, you see,โ said the rickshaw wala, โeven when we take precautions, Fate tricks us.โ
With such encouragement I set off for Calcutta.
19 January 1990
A long journey across northern India. Lucknow, Pratapgarh, Benaras, Patna. People flow in and out of the aisles as if choreographed. Itโs stuffy on the top tier but I sleep a lot. Iโm surprised at the spareness of the big stations. Itโs hard to find even a packet of Marie biscuits. The thought crosses my mind that maybe the great lurch into the 21st century that India Today so proudly heralds has been at the expense of the further impoverishment of most Indians.
I share a smoke with a masala magnate from Calcutta. Heโs actually Punjabi but his family moved to Calcutta from Lahore over a century ago. He never goes back to Punjab.
โI like Calcutta because itโs the cheapest and safest place in India. You have no riots, no ghadbad.[5] The loadshedding is tolerable-nothing like in Benaras. The prices of everything is cheapโliving, food, transport.โ
Heโs a real Calcutta booster. At one point to tells me, โYes, the police are corrupt but at least a Bengali will do what heโs bribed to do. You give him some money and your work is done. Itโs the honesty I like.โ
He speaks in a soft voice. He begins to tell me about how he used to drink like a โmad manโ.ย Always drunk. Always looking for a drink.ย He was, as he puts it, โat the last stageโ.ย He then sought the help of a guru, whose name is drowned out by the clacking of the rails as we whoosh by a dark Bihari village. He pulls out an amulet with a hand tinted image of his guru. โWhatever he says, has to happen,โ he quietly says. He places the image back under his shirt and against his chest. He begins relating more miraculous acts of his guru to a couple sitting next to him.
I climb up again to the 3rd tier and fall asleep.
20 January 1990
Calcutta is the city of superlatives. There is no end to the seeming premier-ness of the place. Most dirty city, most crowded. Most posters per pillar, most taxis per person. Most specialised bazaars. I saw one this morning which catered entirely to shoppers interested in balloons and rubber bands. Most cruel means of public transportation (hand-pulled rickshaws). Most diverse inhabitants, most rundown colonial buildings. Most cultured city: International Film Festivals, Classical music programs, Beatlemania stage show. Most touts. Itโs hard to find anything new to say or any new superlative to add to Calcuttaโs already superlative list of stellar โmosts and bestsโ.
I have found a room in the Paragon Hotel, one of these new tourist hostels which are the same no matter where you go nowadays. The Ringo Guest House just off Connaught Place is no different than the Paragon Hotel just off Chowringhee.
TouristsโGermans, Dutch, Japanese, Australians and a few frightened Americansโwriting in small script in their journals, talking to each other about their similar discoveries and eating out at the same restaurants.
I walk up Sudder Street. I remember coming here, to the Red Shield Guest House[6],with my family every other year enroute to a deserted beach in southern Orissa/OdishaโGopalpur-on-Sea.
Iโm afraid to go Gopalpur these days. Afraid to find sparsely dressed Germans scowling at me as they strut around like they discovered the place.
In those days (late 60s) we seemed to be the only white faces in Calcutta. Sudder Street was quiet; New Market cool and refreshing; the Globe Theatre ran movies like The Bible. Now it shows Young Doctors in Love and New Market is crawling with sad Muslim touts begging you to buy or sell something. Hotels proliferate. Tourists swarm.
These tourists are backpackers. Young folks from the 1st world bumming around the 3rd. In Benaras they learn sitar, in Dharmsala they take a course in Buddhist meditation. In Jaisalmer they ride camels into the desert and here in Calcutta they volunteer for a week or so at Mother Teresaโs. They then catch a train to Puri or Gaya.
I admire (in a way) their altruism for washing and feeding the dying. I wish I could do the same. But something rubs me the wrong way. There is a feeling of inevitability to their righteousness. Mother Teresa is another stop along the wayโlike the journey of the cross in Jerusalemโfull of good material to write home about. Mother Teresa is now another tourist franchise, another neat thing to do.
Calcutta is a pleasure to visit again despite the restless 1st Worlders who hang on like frightened knights of the tourist round table. The locals donโt seem to give a damn about your origins here.

22 January 1990
Spent a thrilling few hours wandering among colonial tombstones in the Park Street Cemetery (opened 1760). The image that comes to mind is a ghost ship shipwrecked on an isolated reef, forgotten and dark. Like all cemeteries it has an immediate calming effect. Jumbled and disorderly tombstones and mausoleums crumble in silent gloom among trees and hundreds of potted plants. Some of the paths are under repair but other outlying areas are as untouched as they were a hundred years ago.
Iโm instantly aware this place is an entire city. Stately and expansive.ย Towering citadels with Corinthian columns, baths and porticos keep watch over a host of long-dead nabobs and Company servants far from home.ย Each tomb is grander than the next. Spires rise 6, 8, 10 feet above the soil in honor of a young civil surgeon downed by โfeverโ or an indigo planter consumed by the pox.ย The most ordinary of Indiaโs first British colonizers have erected over their bones and spirits structures few Presidents can boast.
The Raj was young when Park Street opened. The Battle of Plassey was only three years won. Young men with no social standing back home, here had a chance to be rajahs off the plentitude of Bengal. These young men had never dreamed of the fortunes to be made in Bengal; Bengal had no way to stop them. Park Street memorialises the sense of destiny and ostentation of the early Raj. The world was waiting to be plucked from the mohur trees. Fortunes were huge and readily won for those who showed their ruthless ambition. For them this was a larger-than-life world. I suppose a bereaved father felt it perfectly natural to raise a small Roman temple in honour of his nine-month old infant son, dead by flux. The cemetery, like the period, like the characters buried here is an overstatement. The epitaphs are sentimental and overegged. There was never a disliked, cruel or greedy person buried here.
Of course, not everyone buried here is insignificant. William Jones, the great Orientalist icon who was the first to propose the idea of a shared kinship between Sanskrit, Greek and Latin, lies under a 15-foot obelisk. Charles Dickensโ second son has been lovingly moved here by students from Jadavpur University. Richmond Thackeray, father of William Makepeace Thackeray, a senior servant of the Company, lies here, as does the wife of William Hickey, Indiaโs first prominent English journalist.
Teachers of Hindoostanee at Fort William College, traders and fair maidens, Park Street Cemetery is, more than any other place in India, a memorial to the Raj.ย Here one can taste the self-aggrandisement, the self-importance and most of all, the self-pity which characterises British India. You only need to close your eyes to hear them speak again. Little do they realise that their ostentatious moments of death are long forgotten and ignored.
23 January 1990

Today I arrived in a cemetery of a different sort. The great ancient temple city of Bhubaneshwar. Anย initial quickie around the city has left me awed with the grandeur of Indiaโtruly the Wonder That Was. Iโm none too impressed however by the greedy mahantas and pundits who follow me with visitor books filled with the names of foreigners who have come before me and donated Rs. 100 or 150. They are like blood suckers who will not detach themselves from you until you fork over some cash.ย Muttered curses follow me when I hand over a fist of Rs. 2 notes or a tenner. โYou should give at least Rs. 50,โ one calls out as I walk away.
24 January 1990
Had a sleepless night. The bed in the Janpath Hotel was infested with bedbugs and the room abuzz with mosquitos. I was so tired and on the verge of the final descent into sleep only to be woken by a damn katmal gnawing at some remote part of my body. The room was distinctly shitty. A weak but persistent stench wafted across the room. No windows, only some cement grating at the top of the wall which allowed easy access for the mosquitos.
I flung my few large pieces of cloth on the floor and turned on the fan. I caught a cold and my neck ached but I must have fallen asleep between 2 and 3.
I blearily wandered off toward the Lingaraja complex which was still as impressive as it was yesterday evening.ย The priest left me alone to take some photos. I met two young pandas[7] who were only interested in chatting, not in extracting money from me.ย One was Kuna and the other Bichchi. Kuna kept classifying women into a personal scale of โsexualโ.ย โWestern lady very sexualโ, or โJapanese lady most sexualโ.ย He was full of obscure English aphorisms.ย โEvery book has a cover every woman a loverโ, was his favorite but others addressed less sexual subjects as well.
Bichchi was interested in telling me about politics. One of the Patnaik[8]s was in power. Another Patnaik was trying to squeeze him out now that he (the second Patnaik) had the leverage of the National Front government in Delhi. Bichchi was confident that his Patnaik (the second one) would be victorious in the end. The main complaint against the ruling Patnaik was thatโas best as I could understand from Bichchiโs broken Hindiโhe liked to consort with little boys. If not that he drank or smoked something that wasnโt good.
Kuna immediately spoke up. โIs there only one tiger in the jungle? They all do these things. Have you ever seen only one tiger in the jungle?โ
They tried to encourage me to drink some bhang[9]. Being already light-headed from a sleepless night I declined.ย They extolled the virtues of bhang but cursed heroin, charas [10]and alcohol.ย All these vices Bichchi attributed to the Pakistanis.ย He saw a nefarious attempt to destroy his country. Apparently, there are in Bhubaneshwar a growing number of drug addicts.
Kuna again offered his own interpretation. โIt is good. We have 90 crore[11] people here in India. If a few kill themselves with heroin good. It will keep our population down.โ
I took my leave after an hour under the shade of the Lingaraja, one of 125,000 temples said to be scattered around the city. This statistic came from Bichchi. I was tired and wanted to nap but didnโt want to do it in the Janpath Hotel. Over a beer at the Kenilworth Hotel, I resolved to head immediately to Puri in search of cleaner mattresses and an airy room.
25 January 1990
ย Puri strikes me as an overgrown seaside fishing village. Except for the fact that it is one of Hinduismโs four major dhams[12], there didnโt seem much to commend the place.ย The beach is here too, of course, but it has none of the isolated charm of Gopalpur or the lushness of Kovalum. The alleys are dark and damp and only Hindus are permitted to enter the ancient Jagganath[13] temple. For a photographer it is also frustrating. The temple is set at an awkward angle which makes it almost impossible to capture well. The square in front of the temple is in glaring light most the day so people huddle in the shadows under the tarped awnings.ย After walking around searching for some good light, I put my cameras away. From now on Iโll stick to the alleys where little icons and shrines add color to the landscape.
I talk with Mohammad Yusuf who is selling reptile scales for the cure of piles and general unwanted blood flow. He makes rings of these and advises his customers to wear them on their left hand so as when they perform their toilet, the ringsโ magical effects will โmake you 100% clean. You can spend Rs. 10,000 on a doctor but these rings will cure you completely.โ
He is an Oriya[14] but like most Muslims in the north speaks quite good Urdu. When I told him I was living in Pakistan he quietly asked, โWhatโs the news? Is it good?โ I find the Muslims Iโve run into โa lotโto be sad people, though Iโm probably projecting. In Calcutta all the booksellers and tape hawkers on Free School Street are Muslims from Howrah. One told me with a bit of over enthusiasm that โHindus are the best. I have more Hindu friends than Muslims. We have no problems here!โ
Another, Salim, is a waiter at the Janpath Hotel in Bhubaneshwar.ย He was soft spoken and left me with a feeling tender. He claimed to make Rs 200 a month in the hotel of which $150 he remits to his family.ย He used to work in Calcutta in a factory that makes cooking utensils but for some reason came, as he put it, โinto the hotel line.โ He doesnโt like the work but is stuck.ย He saw two postcards I had bought from a sidewalk dealer on Sudder Street. One was of the Kaaba[15] the other was of Imam Hussain on his horse. Salim kissed them and pressed them against his forehead when I offered them to him.
The Muslims seem to be accepted and other than a slight hesitation before telling me their names, they seem content. They confess to cheering for Pakistanโs cricket team but have been quite uninterested in asking me about life in Pakistan. Only one, a cloth merchant in Bhubaneshwar, asked me if I preferred India or Pakistan.
Tomorrow, I take a day trip to Konarak. Itโs Republic Day and will be overrun with tourists undoubtedly.
26 January 1990
I was accompanied to Konarak by a Gujarati, Dr. Parwar. A pleasant and gentle man who had pulled himself up to a position of considerable rank and authority in a government hospital. His father was a manual labourer in Pune, โso I have seen life from close up.โ Through hard work he got his MBBS and MD from one of the best medical schools in India and has since added a triad of MAโs in subjects like Public Health, Venereal Diseases and Administration. He has been attending a conference in Calcutta on Public Health Administration and has come to Puri to kill some time.
He is deeply committed to serving the people of India as a doctor back in Ahmedabad. He has no desire for an overseas job or money. He proclaims more than once how proud he is of being Indian. This is not something I hear in Pakistan very often.
Konarak is impressive. The stone sculpture is beautiful and majestic. The monument is set out as a sun chariot with 24 giant wheels pulled by 7 rearing horses. Most of the original temple has been destroyed but the remaining bits inspire awe for their size and beauty. The original temple rose more than twice as high at the remaining remnant which rises 80 feet into the air.
Dr. Parwar and I climb to the top of the temple and gaze into a deep opening. A pedestal is at one edge where we overhear a guide explain, โThis is the place where the image of the Surya (the Sun God) stoodโ. Inside his stone head and feet, apparently, was magnet which when a certain interaction of physics and metaphysics transpired โcaused the Godโs head and feet to move.โ
The Indian government is preserving the temple. Dozens of lungi[16] clad workers scratch the eroded stone with water-soaked bamboo brushes. Here and there new plinths and slabs of granite have been fitted into the chariot spokes and walls. Up near the top they have placed two huge Buddha-like images, upon which, during the Eastern Ganga dynasty[17] which built the temple, the sun was said to have shone continuously. One at dawn, one at noon and one at dusk. The third image is yet to be restored.
Dr Parwar and I silently take in this magnificent piece of human-divine cooperation before boarding a bus back to Puri.
[1] Raiwind, a town near Lahore, famous as the headquarters of a major Islamic missionary organisation, Tablighi Jamaโat
[2] Hindustan Ambassador. Iconic Indian manufactured sedan which for decades was about the only car available in most parts of India.
[3] Literally, ‘tea water’. Colloquially used to indicate a small gift/bribe.ย
[4] A Sikh movement for Khalistan as a separate country was raging in the 80s and early 90s. Often trains passing through Punjab were bombed as part of the terroristic tactics of militant Sikh groups. By 1990 things had calmed down quite a bit but my question was not entirely unjustified.
[5] Hindi/Urdu word meaning โchaosโ; โconfusionโ; โdisorganisationโ. Colloquially, โhassleโ.
[6] Part of the Salvation Armyโs global charity empire. Cheaper rates for Christian missionaries right in the heart of Calcutta!
[7] Hindi word for priest or guide to a temple. Not the Chinese animal.
[8] A prominent political dynasty in the state of Orissa/Odisha.
[9] Traditional Indian cannabis drink.
[10] Hashish
[11] Hindi/Urdu for the numerical value of 10,000,000
[12] The four dham are the major Hindu pilgrimage destinations located at each cardinal point of the compass. Dwaraka (West), Puri (East), Badrinath (North) and Rameshwaram (South)
[13] From which we get the English word, juggernaut.
[14] A native of Orissa/Odisha
[15] The stone building at the center of Islam’s most important mosque and holiest site, the Masjid al-Haram in Mecca, Saudi Arabia
[16] sarong
[17] 11-15th century CE

For the first several minutes he said nothing, just guiding his yellow and black Suzuki taxi through the clamorous traffic of midday Delhi. My daughter wanted me to ask him what his name was. โJai Bhagwan,โ he said. โAn old-fashioned name.โ His smile is half apologetic.
โYouโll be going to Jaipur? Thatโs a beautiful city. They call it the Pink City. Its a five hour drive from Delhi and Pushkar is another 2 or 2 and half hours further. Youโll stay in Pushkar for a few days? No? I see, just for a day. Ajmer is just half hour more away. What a place that is. Moinuddin Chisti…the Emperor of India! Will you be taking the train from Ajmer to Varanasi? No, from Agra. Ok. I see, your agent arranged it that way. Watch out for these agents. Theyโre in it for themselves, a lot of them.
This traffic is like this but not for too long. Thereโs a fly over up ahead and the road narrows so everything slows down to a crawl. But soon weโll be moving again. Yes, that metro line was made for the Commonwealth Games in 2010. What a rip off! The organizers stole 80% of the investments. Only 20% was spent on the infrastructure. The main crook, Kapladi is in jail but what does it matter. It wonโt change anything. The rich and our netas donโt give a shit. All the rules are for the poor, not one of them is for the rich. It never changes.
My people used to own the land around the airport. A long time ago the government came and forced us off the land and gave us Rs1.40 per square meter! A very low price. But they got what they wanted. You know Gandhi? They say he is the father of the nation. We say heโs the number one Thief. Donโt believe me? What did he ever do for us? Did he do anything to improve our lot? He and Nehru did everything for themselves and to make their own money and name. Gandhi, the old bastard, used to feed his goat grapes while the rest of the country starved.
The real hero of India was Subhas Chandra Bose. What a guy. You know what his slogan was? Give me your blood and Iโll give you freedom! He was a man of action. Thatโs why they killed him. You know Gandhi could have freed Bhagat Singh but he didnโt. He let him hang. All for his own glory.
Ambedkar? Yeah, he was a good man too. He wrote the Constitution. No one else could have done that. He was a great man actually. I have nothing bad to say about Ambedkar.
Right, weโre almost at your destination. Just 5-10 minutes more.โ

The Flying Coach had just pulled out of Gujrat. Passengers were settling in for a couple hours of sleep before our arrival in Pindi. Quietly whispering to each other, fussing with their reclining seats. Yawning. I had a window seat. My head rested against the glass. Outside, pitch black.
The driver inserted a tape into the deck and a mix of recent Indian film songs competed with the post-dinner clamour. Indian film songs in Pakistan are hugely popular. Slowly the coach fell silent and the music was the only thing to be heard.ย One of the songs immediately caught my ear. It had a smooth, soft-rock sound with a steady disco pulse at the bottom. Definitely catchy. Much closer to Western pop than โclassicโ Hindi film fare. The singers teased each other by asking, โKaisa lagata haiโ (How do you like it?) and responding, โAchha lagata haiโ (I love it).ย
Pure earworm stuff.
Hearing the song again the other day, memories flooded back, not just of that road trip but of that general era. The very end of the โ80s and the beginning of the โ90s were hugely turbulent years in India. ย One ุฏูุฑ (daur/epoch) was quickening to an end. The new age, still undefined, was just beginning to emerge.
Kaisa Lagata Hai, was a super hit from the 1990 film Baaghi (Rebel) and fit perfectly with the times. It is filmi music in transition. The song hints at the more international sounds that were soon to turn Indian film and popular music from an obscure sub genre to one of the biggest categories in the world. The cheeky, mildly suggestive lyrics cleared the way for the openly sexual content of the current scene.
Though many of the giants of the โ60s and โ70s were still in the game, all across the film world fresh young faces, alluring voices and disruptive attitudes were pushing their way into public consciousness. Kishore Kumar whose peak came in the 70s, was still recording as were the nightingale sisters Lata (Mangeshkar) and Asha (Bhosle). But Kishoreโs son Amit, who won Best Playback Singer of 1990 for Kaisa Lagata Hai, was in big demand. Lata and Asha were still beloved but new arrivals Anduradha Paudwal, Alka Yagnik and Kavita Krishnamurthy were popular among the younger set.
The scene from the movie in which the song was inserted depicted a country starting to creak toward a major makeover. The stars Salman Khan and Nagma were fresh and young. Salmanโs red white and blue striped jumper clearly represented kids who looked to America rather than the Soviet Union as did many of their parents. They are shown shopping at Foodland one of Bombayโs early western-style supermarkets and buying large blocks of Toblerone chocolateโฆhitherto a rarity other than in Duty Free stores. Despite their new cool clothes and products their behaviour very much was still line with the flirty, cutesy comportment of previous eras; devoid of any adult sensuality.
**+**
India felt like it was going to explode in those years. Something had to give. There was so much potential being held back by an inefficient bureaucracy and the sclerotic โnetas/เคจเฅเคคเคพโ (leaders) of Independence-era politics. The subterranean rumble of a vibrant business, media, creative and learned sector was impossible to ignore. The political system was fizzling with sparks and thick smoke while shooting colourful lower caste personalities who leveraged significant political influence, into the public realm. Something unstoppable was going on. India was changing. Perhaps too fast. Perhaps long overdue. But with no clear vision (yet) of the destination.
I lived in Pakistan at the time which was trying to cope with its own massively shifting tectonics. (Another story for another time.) Many of my holidays were spent in India, where I had been born and lived until the age of 17. As soon as you crossed the border the energy of a changing culture was everywhere to be seen, heard and felt.
Whatever you thought of Rajiv he was not your usual Indian politico. The Great Leaderโs grandson, who flew commercial jets. Undoubtedly young and handsome ย but also henpecked by his fierce Italian wife. Rajiv was the first national leader with some actual experience of the world beyond Congress and JP politics. He was admired pretty much universally. For a few years anyway. ย With his blood connection to Nehru and Indira, Rajiv led the country to the base camp of the political Everest that would eventually be summited and claimed by Narendra Modi.
Mud vessels were replaced overnight by cheap bright colored plastic buckets. Tea was now always served in a porcelain cup or glass tumbler. Youโd get it in a clay mutka only in certain out-of-the-way places.
Doordarshan, the stuffy national television station was being bruised up by Star TV and Zee TV. Networks that provided youth-centric game shows, music videos and reruns of international television hits. Bandits were in the news. Phoolan Devi and Veerapan. Multiple states were sites of โrebellionsโ: Punjab, Assam, Kashmir. Khalistan and Gurkhaland were put forward as new ideas. Naxalites seemed to be resurging in Andhra. Hand painted movie hoardings were quickly fading away. Digitally produced adverts choked off one of the great pleasures of being a film buff.
Everything was in flux. It was an edgy time. Assassinations of Prime Ministers. Caste politics. Phoolan Devi was sent to jail for her crimes against the upper castes but then was elected to Parliament. Elections, held once every five years, had been up to this point, a yawning affair in which Congress or Indira seemed always to win. But between 1996 and 1999 the country voted 3 times. Seven PMs took the oath of office in the 90s. Most of them lasted a year, tops. Some a few months. A fatigued shopkeeper in Mysore sighed deeply as he gave me my change, โToo many elections.โ
India as a real center of global power and influence was still largely rhetorical but everyone knew it was only a matter of time before the โold waysโ of running India were shredded for good. ย Looking back, it was a generational change. A transition from a solid base built by a single political organisation and its most prominent family, to skyscrapers, flyovers, Pepsi and the birth of India’s billionaire class, Ambanis jaise. Hard to believe today the Nehru/Gandhis could ever have been relevant and admired.ย Narendra Modi was a state based political apparatchik at the time but the wave he would ride to successive victories was starting to swell.ย A group of young men talked loudly to me as we rode a train through central India. The Muslims had it coming. They were tricky and dirty and evil minded. This is a Hindu country.ย ย
**+**
Pop music, which in India equates to filmi[1] music, was sounding different too. ย A decade earlier the first lightning bolt to electrify the airwaves struck in the form of a 15yr old Pakistani girl singing the catchy, Aap Jaise Koi (Somebody Like You) in Qurbani (Sacrifice), the biggest movie of 1980.ย With a sound that mirrored perfectly the soft rock heard on American AM radio in the mid-70s (groovy bass, scratchy rhythm guitar, synth, soaring melody lines) the singer (Nazia Hassan) and producer/composer (Biddu) went on to become international stars throughout the 80s. Disco-lite had arrived in India.
A transition from the founding fathers and sons of Hindi film music, to a new crew of shamelessly self-promoting producers/writers/composers like Bappi Lahiri began chipping away at the thick walls that had protected film moguls from even considering changing their decades-old formula. Four voices[2], two female and two male, had completely dominated filmi music since the 60s. The soundscapes in which they were asked to sing were equally dominated by Indian instruments and compositions based upon classical ragas or Punjabi/Bengali folk songs. If Western sounds and instruments were heard it was to signal the arrival of the vamp or the Vat 69-drinking villain.
Bappi Lahiri was a different kind of music director. He reveled in excess. As big as Barry White, he draped himself in bling, wore flamboyant shades 24/7 and embraced the wildest ideas. ย A true disrupter. He could compose in the comforting, long-standing sound of the 50s-70s with real conviction and skill. ย But a trip to a nightclub in Chicago in 1979 changed his career from a respected composer/arranger into the badass of Bombay. โAfter a Chicago show,โ Bappi told an interviewer. โWe went to a club.ย A DJ was playing the most amazing music. Something completely new and fresh. John Travolta and the Bee Gees. I asked him what this was and he said, โDisco.โโ ย
Disco hit Bappi hard and upon return to India he introduced its thumping beats into nearly every one of his projects. If Biddu had snuck sweet Western pop melodies into Qurbani, Bappi turned the volume up to 11 and exploded woofers from one end of India to the next. Bappi was shameless. For the rest of his career his name was synonymous with upbeat, percussive dance music. Though the โDisco Kingโsโ formula rarely strayed from a steady, 4 on the floor beat, and vapid, repetitious lyrics, there is no question that without Bappi Lahiri there would be no AR Rahman.
Huge as Bappi was (he died in 2022) it was technology that really laid the walls of filmi music to waste. Cassette tapes came to India later than the rest of the world. They started to appear in the late 70s but import restrictions and decades-old laws that promoted local manufacturing meant they were priced as a luxury item. Or at least the machines that played them were. But as demand increased some restrictions on manufacturing both tapes and tape recorders were lifted and Indian entrepreneurs jumped into the deep end with gusto.
In the winter of 1984 on a visit to Allahabad I was blown away by the carts of cassette tapes being hawked in every bazar in the city. Literally hundreds of titles by artists I had never heard of. Everyone was browsing and buying, even rickshaw walas, school kids and policemen, who until that moment had probably never owned anything but a radio. Especially popular was a genre called ghazal. Especially as sung by a husband and wife pair, Jagjit and Chitra Singh. Their tapes sold fast and new ones released just as fast. What was even more remarkable was that this was not filmi music.
Ghazals and Jagjit and Chitra may have been the most successful genre in cassettes but they were not the only style and type being bought up. All sorts of regional folk styles hitherto untouched by the major recording companies (EMI and Polydor), in every language and dialect under the Indian sun were suddenly available dirt cheap. Tapes with sexy lyrics, comedy tapes, religious chants and pop music by wannabe stars from small cities in the hinterland were available everywhere.
Not just a giant tech leap forward, the cassette boom must surely rank as one of the great economic stimulants of that period. Piracy helped the revolution along. What just a couple years before had been seen as a โforeignโ object for the well-to-do, was now available for a few rupees. This was a very exciting period to be a music lover in India. I could not get over the fact that here were the faces of Kishore and Rafi or Amitabh on a cassette cover, equally at home as Michael Jackson and the Rolling Stones .
In the words of Peter Manuel, whose 1993 book Cassette Culture: popular music and technology in north India documents this period of transition, โโฆcassette technology effectively restructured the music industry in India. In effect, the cassette revolution had definitively ended the hegemony of GCI,[3] of the corporate music industry in general, of film music, of the Lata- Kishore duocracy, and of the uniform aesthetic which the Bombay film-music producers had superimposed on a few hundred million listeners over the preceding forty years.โ
Filmi musicโs share of the market shrank immediately and dramatically to less than 50%. Indipop, as this new wave of non-film music was labeled, stormed into public consciousness. New stars singing in new languages, including loads of English phrases, new factories set up in places like Bhopal, Coimbatore and Dehra Dun opened thousands of new markets. ย It seemed filmi music was going to die a quick death. ย Indipop flourished, thanks to the plastic cassette and the arrival of what Indians call โliberalisationโ.
By the late 80s, Indiaโs protected and insular economy was no longer fit for purpose. All political parties understood this and in 1990 a process of doing away with the restrictive import duties, tariffs and allergic attitude to foreign investment especially in products valued by the booming middle class began. Satellite and cable TV showed foreign movies and TV shows. People with money could travel more freely and experience the same things people outside of India took for granted.
The film industry was given government financing for the first time in its 60 year history. More movies were being shot overseas. Sound quality of the music improved dramatically. Audiences thrilled to see their idols dance through the streets of Paris, Cairo and Sydney all in the same song! But filmi music held on. It learned from the changing times and by the early 2000s had once again grabbed back its near monopoly of the popular music market. Indipop stars, once the great โaltโ pop singers, were invited to sing in the films. ย The half dozen geriatric (though immensely beloved) singers who had โownedโ filmi music were steadily pushed aside, along with those folk and classical talas and sensibilities.
Songs like Kaisa Lagta Hai were among the first to move in a new direction. Kishore Kumarโs son, Amit, sang the male lead. Anuradha Paudwal the female lead. Amit eventually retired, blown away by the likes of Anu Malik, Kumar Sanu, Udit Narayan, Lucky Ali and in the late 90s and early 2000s exciting singers from Pakistan: Atif Aslam, Zafar Ali and Adnan Sami. ย Sophisticated, widely influenced and wildly talented composers, exemplified by AR Rahman were now firmly in control of the filmi ship.ย American and European audiences grooved to Jai Hoย and Mundian Bach Ke. Bappi Lahiriโs compositions found new life in American/European songs like Addictive (Truth Hurts), Freeze (Madlib) and Come Closer (Guts).
And India today, whether you like Modi or not, is a true global power center and influence peddler. It all began when the floor of old India and the old Hindi filmi world fell away with the tentative arrival of songs like Kaisa Lagta Hai.
[1] Music and songs from Indian, mainly Hindi/Urdu language, movies.
[2] Lata Mangeshkar, Asha Bhosle, Mohammad Rafi and Kishore Kumar
[3] Gramophone Company of India, formerly known as His Masterโs Voice, was until the late 60s the only significant producer of recorded music.